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X-WR-CALNAME:Myriam Leblanc - Soprano
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X-WR-CALDESC:Événements pour Myriam Leblanc - Soprano
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DTSTART;TZID=Europe/Paris:20230802T190000
DTEND;TZID=Europe/Paris:20230802T210000
DTSTAMP:20260426T063436
CREATED:20230515T183942Z
LAST-MODIFIED:20230515T184007Z
UID:1109-1691002800-1691010000@www.myriamleblanc.net
SUMMARY:The Lady vespers - EMV - Vancouver
DESCRIPTION:Artists: Nadine Balbeisi\, Myriam Leblanc\, Jane Long\, Ellen Torrie\, Lieselot de Wilde\, sopranos Liz Hamel\, Emma Parkinson\, Vicki St-Pierre\, Krisztina Szabo\, altos with members of Elektra Women’s Choir and the EMV Festival Players\, directed. by Alexander Weimann \nFestival Players: Chloe Meyers\, violin 1; Christi Meyers\, violin 2; Margaret Little\, viola da gamba; Erin Headley\, lirone and viola da gamba; Natalie Mackie\, violone; Matthew Jennejohn\, cornetto; Ellen Marple\, sackbutt; Alex Fisher\, sackbutt; Jeremy Berkman\, sackbutt; Lucas Harris\, theorbo; Antoine Malette-Chénier\, triple harp; & Alexander Weimann\, music director\, keyboard \nDuring the 17th century\, women composers were most often either nuns educated in convents or the daughters of musical families such as Florence’s Caccini clan. The works presented in this concert come from both the secular and sacred worlds of 17th-century Italy\, written for celebration in the cloister and private devotion in the home. This music abounds with all the inventiveness\, refinement\, and energy of the age of Monteverdi. \n“Being active in the so called ‘Early Music’ field means to me the never-ending process of learning something new – be it instruments\, performance practice\, history\, styles and genres\, but first of all composers which I had no idea about. A fruit of this continuous exploration over many years has been a list of women composers making it to the top of my to-be-performed-asap agenda. Of course\, I jumped at the opportunity of this Summer Festival in honour of women\, and the sweet occasion to put together a somewhat encyclopedic panorama of female composers in the 1600’s. I chose the form of solemn Vespers for Mary\, and all female saints\, not unlike Monteverdi’s legendary collection in 1610. This is very much a programme from my heart and I can’t wait to start rehearsals\,” Alexander Weimann. \nThis concert is generously sponsored by Agnes Hohn
URL:https://www.myriamleblanc.net/event/the-lady-vespers-emv-vancouver
LOCATION:Christ Church Cathedral\, 690 Burrard St\, Vancouver\, V6C 2L1\, Canada
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230803T193000
DTEND;TZID=Europe/Paris:20230803T213000
DTSTAMP:20260426T063436
CREATED:20230515T184244Z
LAST-MODIFIED:20230515T184244Z
UID:1113-1691091000-1691098200@www.myriamleblanc.net
SUMMARY:MILTON IN LOVE: THE BIRTH OF OPERA IN THE ETERNAL CITY - EMV- Vancouver
DESCRIPTION:Artists: Nadine Balbeisi\, Ellen Torrie and Myriam Leblanc\, sopranos; Atalante\, directed by Erin Headley; Lucas Harris\, theorbo (chitarrone); Antoine Malette-Chénier\, triple harp; Christina Hutten\, harpsichord \nMilton in Love paints a portrait of the English poet John Milton’s sojourn through Rome where he fraternized with the Illuminati\, attended opera and oratorios\, and became enamored with the singing of soprano Leonora Baroni. The laments display the sensuality\, ecstasy\, and eroticism of early Baroque Rome\, and the performances by Erin Headley and her ensemble are sure to surprise and delight audiences as well. \n“Having discovered a rare and mysterious manuscript in the Vatican Library in 1975\, my life changed forever! The music was a 17th-century Roman oratorio\, ‘Cain and Abel’. Near the end of the work was the lament of Cain accompanied by an instrument called the ‘lira’ (or lyre). The music was both sublime and haunting\, and after some investigation I learned that ‘lira’ was the ‘lirone’ (large lyre). Following my research abroad on its history\, culture and repertoire\, then learning to play it and sharing its repertoire through performances and recordings\, I decided to create a multi-media concert around the story of John Milton\, who found Rome to be the pinnacle of his Grand Tour of Europe in 1638/9. Besides attending poetic academies\, and meeting the city’s most learned men and the cardinals of the Barberini court\, he was invited to attend a private concert of three singing ladies\, a mother and two daughters who accompanied themselves on the viola da gamba\, theorbo\, triple harp\, Spanish guitar and the lirone! One daughter\, Leonora was such a huge sensation in Rome for her singing\, poetry\, grace\, beauty and intelligence\, that even Milton\, the Puritan was under her spell. Milton in Love is really the culmination of my privileged and fulfilling life with Italian music\, and I look forward to sharing these ravishing treasures with Vancouver.”  – Erin Headley\, music director Atalante \nTogether with a chitarrone\, triple harp\, baroque guitar\, lirone and viola da gamba\, the ensemble supports a trio of female voices who bring to life a multimedia programme of ultra-expressive laments. \nThis concert is generously sponsored in loving memory of Ralph and Therese Spitzer
URL:https://www.myriamleblanc.net/event/milton-in-love-the-birth-of-opera-in-the-eternal-city-emv-vancouver
LOCATION:Pyatt Hall\, 843 Seymour St\, Vancouver\, V6B 3L4\, Canada
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230805T193000
DTEND;TZID=Europe/Paris:20230805T213000
DTSTAMP:20260426T063436
CREATED:20230515T184642Z
LAST-MODIFIED:20230515T184642Z
UID:1116-1691263800-1691271000@www.myriamleblanc.net
SUMMARY:Concerts aux îles du Bic - Luce e ombra - Mirabilia - Bic
DESCRIPTION:Le projet Luce e Ombra\, « Lumière et Ombre »\, réunit des œuvres d’Antonio Vivaldi. Le programme de ce concert est à son image\, tout en contrastes : clair-obscur\, tristesse-gaieté\, désarroi-joie exubérante.\n\n\nLa soprano Myriam Leblanc transmet tout son talent et son expressivité au service de ce répertoire qui lui sied exceptionnellement bien. Elle est accompagnée des trois musiciens Grégoire Jeay (flûtes)\, Antoine Malette-Chénier (harpe baroque) et Mélisande Corriveau (violoncelle) de l’Ensemble Mirabilia. \nMyriam Leblanc\, soprano \nGrégoire Jeay\, flûtes/flutes \nAntoine Malette-Chénier\, harpe baroque/baroque harp \nMélisande Corriveau\, violoncelle/cello
URL:https://www.myriamleblanc.net/event/concerts-aux-iles-du-bic-luce-e-ombra-mirabilia-bic
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230812T200000
DTEND;TZID=Europe/Paris:20230812T220000
DTSTAMP:20260426T063436
CREATED:20230515T184750Z
LAST-MODIFIED:20230811T150717Z
UID:1118-1691870400-1691877600@www.myriamleblanc.net
SUMMARY:Concert de clôture - Concerts aux îles du Bic - Bic
DESCRIPTION:Concert gala de clôture\n\n\n\n\n\n\nEntre Vienne et Moscou : Mathieu Gaudet et ses amis\n\n\n\n\nLes résidences d’artistes se terminent sur un feu d’artifice avec plusieurs ensembles éphémères réunissant Mathieu Gaudet\, Myriam Leblanc\, Cameron Crozman\, Mégan Milatz\, Étienne Chénard\, Élise Lavoie et James Darling autour des œuvres de Rachmaninoff\, Medtner\, Arensky\, Brahms et Schubert. Captation de Radio-Canada. \n\n \n\n\n\n\n\n\n\n\n\nAU PROGRAMME:\n\n\n\nSchubert – Rondo en la majeur D. 951 pour piano quatre mains\nMathieu Gaudet et Meagan Milatz\n\n\n\nArensky – Quatuor op 35 – II Thème et variations\nÉlise Lavoie\, Étienne Chénard\, Cameron Crozman\, James Darling\n\n\n\nRachmaninov – Sonate pour violoncelle et piano en sol mineur\, op. 19. IV – Allegro mosso\nMathieu Gaudet et Cameron Crozman\n\n\n\nMedtner – Sonate-Vocalise pour soprano et piano\, op. 14 no. 1\nMyriam Leblanc et Mathieu Gaudet\n\n\n\nSchubert – Impromptu D. 899 no. 3\nMathieu Gaudet\n\n\n\nBrahms – Quatuor avec piano no 2 : IV\nMathieu Gaudet\, Élise Lavoie\, Étienne Chénard\, Cameron Crozman
URL:https://www.myriamleblanc.net/event/concert-de-cloture-concerts-aux-iles-du-bic-bic
LOCATION:Église Saint-Cécile-du-Bic\, 88\, avenue de l'Église\, Rimouski\, Canada
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DTSTART;TZID=Europe/Paris:20230820T110000
DTEND;TZID=Europe/Paris:20230820T130000
DTSTAMP:20260426T063436
CREATED:20230515T185035Z
LAST-MODIFIED:20230515T185035Z
UID:1120-1692529200-1692536400@www.myriamleblanc.net
SUMMARY:Luce e ombra - Cammac - Harrington
DESCRIPTION:Myriam Leblanc\, soprano\nGrégoire Jeay\, flûtes\nAntoine Malette-Chénier\, harpe\nMélisande Corriveau\, violoncelle baroque \n\n\n\n\nPour clore la série de concerts Dimanche en musique\, le groupe Mirabilia présentera une performance de Luce e Ombra d’Antonio Vivaldi. \nFondé par la soprano Myriam Leblanc et le flûtiste Grégoire Jeay\, l’Ensemble Mirabilia veut promouvoir essentiellement la musique baroque jouée sur des instruments d’époque\, mais aussi explorer parfois des musiques de temps plus anciens ou plus contemporaines arrangées pour notre formation. Mirabilia s’est donné un\nhorizon suffisamment vaste lui permettant ainsi de choisir et diffuser un répertoire qui saura toucher le public de tous les milieux et de tous les âges tout en demeurant dans la grande sphère du classique. \nMirabilia\, c’est aussi la dimension vocale assurée avec brio par une soprano à la réputation grandissante: Myriam Leblanc\, dont le talent et la voix exceptionnelle ne cessent d’émouvoir\, portant avec vivacité le message des grands compositeurs du passé. \n« C’est comme un distillat d’eau de vie\, d’une transparence absolue…Elle s’appelle Myriam Leblanc et d’après moi c’est dans les 10 dernières années une des plus belles voix\, peut-être la plus belle qui est sortie du vivier québécois… » \n– Christophe Huss\, Samedi et rien d’autre\, décembre 2020
URL:https://www.myriamleblanc.net/event/luce-e-ombra-cammac-harrington
LOCATION:Cammac\, 85 chemin CAMMAC\, Harrington\, J8G 2T2\, Canada
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